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Ta-Nehisi Coates: Between the World and Me
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1984 By George Orwell Audiobook | Text
Written in 1948, 1984 was George Orwell's chilling prophecy about the future. And while the year 1984 has come and gone, Orwell's narrative is timelier than ever. 1984 presents a startling and haunting vision of the world, so powerful that it is completely convincing from start to finish. No one can deny the power of this novel, its hold on the imaginations of multiple generations of readers, or the resiliency of its admonitions. A legacy that seems only to grow with the passage of time.
1984 Full Audiobook often published as 1984, is a dystopian novel by English author George Orwell published in 1949. The novel is set in Airstrip One (formerly known as Great Britain), a province of the superstate Oceania in a world of perpetual war,omnipresent government surveillance and public manipulation, dictated by a political system euphemistically named English Socialism (or Ingsoc in the government’s invented language, Newspeak) under the control of a privileged elite of the Inner Party, that persecutes individualism and independent thinking as “thoughtcrime.”
The tyranny is epitomised by Big Brother, the Party leader who enjoys an intense cult of personality but who may not even exist. The Party “seeks power entirely for its own sake. It is not interested in the good of others; it is interested solely in power.” The protagonist of the novel, Winston Smith, is a member of the Outer Party, who works for the Ministry of Truth (or Minitrue in Newspeak), which is responsible for propaganda and historical revisionism. His job is to rewrite past newspaper articles, so that the historical record always supports the party line. The instructions that the workers receive specify the corrections as fixing misquotations and never as what they really are: forgeries and falsifications. A large part of the ministry also actively destroys all documents that have been edited and do not contain the revisions; in this way, no proof exists that the government is lying. Smith is a diligent and skillful worker but secretly hates the Party and dreams of rebellion against Big Brother. Orwell based the character of the heroine of the novel, Julia, on his second wife Sonia Orwell. (Wikipedia)
Chapter 2 - 35:13
Chapter 3 - 51:17
Chapter 4 - 1:07:15
Chapter 5 - 1:26:49
Chapter 6 - 1:55:16
Chapter 7 - 2:05:56
Chapter 8 - 2:29:31
Part II
Chapter 1 - 3:11:05
Chapter 2 - 3:33:33
Chapter 3 - 3:50:33
Chapter 4 - 4:07:50
Chapter 5 - 4:26:29
Chapter 6 - 4:44:00
Chapter 7 - 4:49:21
Chapter 8 - 5:03:13
Chapter 9 - 5:23:51
Chapter 10 - 6:40:13
Part III
Chapter 1 - 6:52:50
Chapter 2 - 7:18:32
Chapter 3 - 7:58:53
Chapter 4 - 8:25:29
Chapter 5 - 8:41:03
Chapter 6 - 8:49:36
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Foundation — Teaser | Apple TV+
The future begins in 2021.
Based on the award-winning novels by Isaac Asimov, Foundation chronicles a band of exiles on their monumental journey to save humanity and rebuild civilization amid the fall of the Galactic Empire: https://apple.co/_Foundation
Foundation stars SAG Award-winner and Emmy-nominee Jared Harris as Hari Seldon; Lee Pace as Brother Day; Lou Llobell as Gaal; Leah Harvey as Salvor; Laura Birn as Demerzel; Terrence Mann as Brother Dusk; and Cassian Bilton as play Brother Dawn.
Foundation is executive produced by Robyn Asimov, David S. Goyer, Josh Friedman, Cameron Welsh, David Ellison, Dana Goldberg and Marcy Ross. The series is produced for Apple by Skydance Television.
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Catch-22 - Thug Notes Summary and Analysis
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Catch-22 Trailer (Official) • A Hulu Original
Based on the acclaimed Joseph Heller novel, Catch-22 follows the adventures and misadventures of a US air squadron in Italy in World War II. Catch-22 premieres May 17.
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Christopher Abbott is Yossarian, a bombardier, whose frantic obsession every time he goes up on a mission is “to come down alive”. His odds of success at such a simple aim keep getting worse, because Colonel Cathcart (Kyle Chandler) keeps raising the number of missions the men have to fly. More than the retreating Germans, the real enemy for Yossarian and his rag-tag bunch of friends is the bureaucracy of the military, inverting logic at every turn. The pinnacle of this is Catch-22, a military by-law which states that if you fly your missions, you’re crazy, and don’t have to fly them; all you have to do is ask. But if you as not to, then you’re sane, and so you have to fly them. George Clooney stars as the barking mad, parade-obsessed Scheisskopf. Hugh Laurie is the mellow, slightly checked-out Major de Coverley. Clooney directs the six-episode series, along with Grant Heslov and Ellen Kuras.
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Manseed by Jack Williamson
‘In the beginning there was Egan Drake, the genius who dreamed of spreading mankind among the galaxies. Then came Megan, who took on her brother’s mantle and made his imaginings real. She gathered around her the finest in their fields – biology and astronautics, computer science and fusion propulsion – and fired them with her vision.
And finally was born The Project: a thousand tiny spacecraft crawling like electromechanical wombs towards the stars, each bearing the genetic seeds for a future colony of man. And some fell on stony ground and some fell on fertile ground, and some…’
Blurb from the 1986 Sphere paperback edition. Egan Drake is, or was, what you would call bipolar in today’s psychological lexicon. Possessing a high degree of manic creativity and occasional freak genius he puts together a scheme to send out automated ‘seedships’ into space, some of which may land on another inhabitable world. And so the tale of one of the ships is told by its ‘defender’; a humanoid AI which possesses an amalgam of the major scientists working on the project and the dominant personality, Don Brink, an ex-soldier and mercenary whose specialized knowledge is needed to deal with any unexpected incidents.
The current action is interspersed with flashbacks of the project, set up by Megan Drake after her brother’s death. She tracks down and hires several vital men for her mission. The ship finds a habitable world, but one which contains the still active remnants of a robotic defense force, awaiting the return of their biological masters who are some thirty thousand years late. Suffice to say that the defender helps the ship to establish a new human colony on the new world and, in the process, comes to terms with himself as a sexless, but sentient, humanoid.
To be honest, the flashbacks are somewhat dull and give the impression of a tragically depressing set of people who would surely not have had the enthusiasm to carry through such a project. In contrast, the futuristic elements are full of colour and life.
taken from goodreads.com
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