Catch-22 - Thug Notes Summary and Analysis

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From plot debriefs to key motifs, Thug Notes’ Catch-22 by Joseph Heller Summary & Analysis has you covered with themes, symbols, important quotes, and more.

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Catch-22 Trailer (Official) • A Hulu Original

Based on the acclaimed Joseph Heller novel, Catch-22 follows the adventures and misadventures of a US air squadron in Italy in World War II. Catch-22 premieres May 17.

More about the series:
Christopher Abbott is Yossarian, a bombardier, whose frantic obsession every time he goes up on a mission is “to come down alive”. His odds of success at such a simple aim keep getting worse, because Colonel Cathcart (Kyle Chandler) keeps raising the number of missions the men have to fly. More than the retreating Germans, the real enemy for Yossarian and his rag-tag bunch of friends is the bureaucracy of the military, inverting logic at every turn. The pinnacle of this is Catch-22, a military by-law which states that if you fly your missions, you’re crazy, and don’t have to fly them; all you have to do is ask. But if you as not to, then you’re sane, and so you have to fly them. George Clooney stars as the barking mad, parade-obsessed Scheisskopf. Hugh Laurie is the mellow, slightly checked-out Major de Coverley. Clooney directs the six-episode series, along with Grant Heslov and Ellen Kuras.

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Manseed by Jack Williamson

‘In the beginning there was Egan Drake, the genius who dreamed of spreading mankind among the galaxies. Then came Megan, who took on her brother’s mantle and made his imaginings real. She gathered around her the finest in their fields – biology and astronautics, computer science and fusion propulsion – and fired them with her vision.

And finally was born The Project: a thousand tiny spacecraft crawling like electromechanical wombs towards the stars, each bearing the genetic seeds for a future colony of man. And some fell on stony ground and some fell on fertile ground, and some…’

Blurb from the 1986 Sphere paperback edition. Egan Drake is, or was, what you would call bipolar in today’s psychological lexicon. Possessing a high degree of manic creativity and occasional freak genius he puts together a scheme to send out automated ‘seedships’ into space, some of which may land on another inhabitable world. And so the tale of one of the ships is told by its ‘defender’; a humanoid AI which possesses an amalgam of the major scientists working on the project and the dominant personality, Don Brink, an ex-soldier and mercenary whose specialized knowledge is needed to deal with any unexpected incidents.

The current action is interspersed with flashbacks of the project, set up by Megan Drake after her brother’s death. She tracks down and hires several vital men for her mission. The ship finds a habitable world, but one which contains the still active remnants of a robotic defense force, awaiting the return of their biological masters who are some thirty thousand years late. Suffice to say that the defender helps the ship to establish a new human colony on the new world and, in the process, comes to terms with himself as a sexless, but sentient, humanoid.

To be honest, the flashbacks are somewhat dull and give the impression of a tragically depressing set of people who would surely not have had the enthusiasm to carry through such a project. In contrast, the futuristic elements are full of colour and life.

taken from goodreads.com

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"Natural Women, Cultured Men: A Feminist Perspective on Sociological Theory" by Rosalind A. Sydie

Published for the first time in paperback, Rosalind Sydie's critically acclaimed study examines the work and thought of Durkheim, Weber, Marx, Engels, focusing on what these influential thinkers had to say about the nature of gender relationships. She brings to light assumptions at the foundation of classical social theory, and the effect that these assumptions have had on the perception of women.

This book examines the work of the classical social theorists --Durkheim, Weber, Marx, Engels and Freud -- from a feminist perspective.The focus is on the theoretical approach adopted by each theorist in his examination of the nature of human nature and, more specifically, the nature of sex relationships.

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